Camera and Action: American Film as Agent of Social Change, 1965-1975

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McFarland, 2014 M01 10 - 263 pages

This study examines the changes in the American film industry, audiences, and feature films between 1965 and 1975. With transformations in production codes, adjustments in national narratives, a rise in independent filmmaking, and a new generation of directors and producers addressing controversial issues on the mainstream screen, film was a major influence on the social changes that defined these years. After a contextual history of film during this era, several key films are discussed, including The Graduate, Alice's Restaurant, Easy Rider, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, Little Big Man, and The Godfather series. The author describes how these films represented a generation, constructed and deconstructed American culture, and made important contributions during ten years of great change in America.

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Contents

Preface
1
For the Love of Film
3
Industry and Audiences
13
Generation
39
Gender
97
Ethnicity
161
Cinematic Anarchists Go Generic
204
Chapter Notes
213
Selected Bibliography
237
Index
253
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About the author (2014)

Elaine M. Bapis is an adjunct professor and has taught literature, history, and film at Westminster College and the University of Utah. Her current interests include the study of early twentieth century immigration and film. She lives in Salt Lake City.

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