Renaissance Bodies: The Human Figure in English Culture, C. 1540-1660

Front Cover
Lucy Gent, Nigel Llewellyn
Reaktion Books, 1990 - 294 pages
Renaissance Bodies is a unique collection of views on the ways in which the human image has been represented in the arts and literature of English Renaissance society. The subjects discussed range from high art to popular culture - from portraits of Elizabeth I to polemical prints mocking religious fanaticism - and include miniatures, manners, anatomy, drama and architectural patronage. The authors, art historians and literary critics, reflect diverse critical viewpoints, and the 78 illustrations present a fascinating exhibition of the often strange and haunting images of the period.

With essays by John Peacock, Elizabeth Honig, Andrew and Catherine Belsey, Jonathan Sawday, Susan Wiseman, Ellen Chirelstein, Tamsyn Williams, Anna Bryson, Maurice Howard and Nigel Llewellyn.

"The whole book ... presents a mirror of contemporary concerns with power, the merits and demerits of individualism, sex-roles, 'selves', the meaning of community and (even) conspicuous consumption."--The Observer

 

Contents

Portraits of Elizabeth I
11
The Heraldic Body Ellen Chirelstein
36
Lady Dacre and Pairing by Hans Eworth
60
Polemical Prints of the English
86
Dissecting the Renaissance Body
111
Gesture Demeanour and
136
Inigo Jones as a Figurative Artist John Peacock
154
Representing the Incestuous Body
180
SelfFashioning and the Classical Moment in Mid
198
Monuments to the Dead For the Living
218
References
241
Select Bibliography
283
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About the author (1990)

Nigel Llewellyn is Lecturer in the History of Art at the University of Sussex, and has curated an exhibition entitled 'The Art of Death', to be held at the Victoria and Albert Museum.

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