ODES. ON THE SPRING. [The title originally given by Mr. Gray to this Ode was "Noontide."] O! where the rosy-bosom'd Hours, Fair VENUS' train, appear, close the long-expected flowers, se reclin'd in rustic state) the ardour of the Crowd, , how little are the Proud, digent the Great! [1]* O'er-canopies the glade. a bank O'er-canopied with luscious woodbine. Shakesp. Mids. Night's Dream. to taste the honied And foat amid the liq es referred to by Italic letters between parentheses (a) Mr. Gray's. Those referred to by Figures between brackc. are chiefly selected from the Criticisms and CommenJohnson, Mr. Mason, Mr. Scott, of Amwell, and various - Among them are occasionally interspersed a few remarks r; but these are not of importance enough to be distin ation:-How low, how indigent the Proud; How little are the Great. iy o'er the cur shew their gaily-gi Kick-glancing to the Contemplation's sob h is the race of M they that creep, an Shall end where they od in Dodsley's Miscellany, wherein it was first published. orrected it on account of the point of little and great. It too much the appearance of a Concetto, though it exleaning better than the present reading. (And float amid the l Nare per æstatem lig V (e) Quick glancing to the Shew to the sun ther sporting w (d) To Contemplation. While insects from Dodsley's Misce ager to taste the noniea spring, To Contemplation's sober eye (d) nd they that creep, and they that fly, (b) And float amid the liquid noon. Virgil Georg. lib. 4. (c) Quick glancing to the sun. sporting with quick glance, Shew to the sun their wav'd coats dropt with gold. Milton's Paradise Lost, book 7. (d) To Contemplation's sober eye. While insects from the threshold preach, &c. M. Green, in the Grotto. Dodsley's Miscellanies, Vol. 5. p. 161. hear, in accents low, Live kind reply: st! and what art thou? fly! glitt'ring female meets, -t thou of hoarded sweets, ed plumage to display: ngs thy youth is flown; et, thy spring is gone - while 'tis May. WAS on a lofty ere China's gayest The azure flowers, t mrest of the tabby pensive Selima, r Gaz'd on the lake b Her conscious tail her The fair round face, The velvet of her P r coat, that with th Mr. Walpole, after the d Twas on this 'TWAS on a lofty vase's side, Where China's gayest art had dy'd Her conscious tail her joy declar'd; Her coat, that with the tortoise vies, [2] Mr. Walpole, after the death of Mr. Gray, placed the China vase En question on a pedestal at Strawberry-Hill, with the first four lines of the Ode for its inscription. 'Twas on this Vase's lofty side, &c. |