If you fancy what troubled Macbeth to be doubled, And, instead of one Banquo to stare in his face I wish I'd poor Fuseli's pencil, who ne'er I believe was exceeded in painting the terrible, Or that of Sir Joshua Reynolds, who was so adroit in depicting it-vide his piece Descriptive of Cardinal Beaufort's decease, Where that prelate is lying, Decidedly dying, With the King and his suite, Standing just at his feet, And his hands, as Dame Quickly says, fumbling the sheet; While, close at his ear, with the air of a scorner, Busy, meddling," Old Nick's grinning up in the corner. But painting's an art I confess I am raw in, The fact is, I never took lessons in drawing, Had I done so, instead Of the lines you have read, I'd have giv'n you a sketch should have fill'd you with dread! François Xavier Auguste squatting up in his bed, His hands widely spread, His complexion like lead, Ev'ry hair that he has standing up on his head, As when, Agnes des Moulins first catching his view, Now right, and now left, rapid glances he threw, B2 Then shriek'd with a wild and unearthly halloo, "Mon Dieu! v'la deux! BY THE POPE THERE ARE TWO!!! He fell back-one long aspiration he drew. And Achille cried "Odzooks! I fear by his looks, Our friend François Xavier has popp'd off the hooks!" 'Twas too true! Malheureux!! It was done!-he had ended his earthly career, - L'Envoy. A moral more in point I scarce could hope If ever chance should bring some Cornet gay She, that the tombstone which her eye surveys The next in order of these "lays of many lands" refers to a period far earlier in point of date, and has for its scene the banks of what our Teutonic friends are wont to call their "own imperial River!" The incidents which it records afford sufficient proof (and these are days of demonstration), that a propensity to flirtation is not confined to age or country, and that its consequences were not less disastrous to the mail-clad Ritter of the dark ages than to the silken courtier of the seventeenth century. The whole narrative bears about it the stamp of truth, and from the papers among which it was discovered I am inclined to think it must have been picked up by Sir Peregrine in the course of one of his valetudinary visits to "The German Spa." SIR RUPERT THE FEARLESS. A LEGEND OF GERMANY. SIR RUPERT THE FEARLESS, a gallant young knight, Was equally ready to tipple or fight, Crack a crown, or a bottle, Cut sirloin, or throttle! In brief, or, as Hume says, "to sum up the tottle," Unstain'd by dishonour, unsullied by fear, All his neighbours pronounced him a preux chevalier. Despite these perfections, corporeal and mental, Being rather unthinking, wink in He'd scarce sleep a A night, but addicted himself sadly to drinking, When at length through his boozing, And tenants Their rents, swearing "times were so bad they were losing," His steward said, "O sir, It's some time ago, sir, Since aught through my hands reach'd the baker or grocer, |