Coming of Age in Contemporary American FictionEdinburgh University Press, 2007 M04 18 - 200 pages This book explores the ways in which a range of recent American novelists have handled the genre of the 'coming-of-age' novel, or the Bildungsroman. Novels of this genre characteristically dramatise the vicissitudes of growing up and the trials and tribulations of young adulthood, often presented through depictions of immediate family relationships and other social structures. This book considers a variety of different American cultures (in terms of race, class and gender) and a range of contemporary coming-of-age novels, so that aesthetic judgements about the fiction might be made in the context of the social history that fiction represents. A series of questions are asked:* Does the coming-of-age moment in these novels coincide with an interpretation of the 'fall' of America?* What kind of national commentary does it therefore facilitate?* Is the Bildungsroman a quintessentially American genre?* What can it usefully tell us about contemporary American culture? Although the focus is on the conte |
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Page 21
... death recalls the description of Pap as a drunken pig. The symbolic treatment of the processes of coming of age is seen in two important early episodes of Rule of the Bone which have useful parallels with Huck's story. Bone escapes the ...
... death recalls the description of Pap as a drunken pig. The symbolic treatment of the processes of coming of age is seen in two important early episodes of Rule of the Bone which have useful parallels with Huck's story. Bone escapes the ...
Page 29
... death, and his personal understanding of how racial identity informs his fate as an individual is given national significance by its historical resonance with slavery. This is the novel's most ambitious chapter because it uses the ...
... death, and his personal understanding of how racial identity informs his fate as an individual is given national significance by its historical resonance with slavery. This is the novel's most ambitious chapter because it uses the ...
Page 30
... death of the younger self that Bone has undergone symbolically. This girl's death is part of the theme of infanticide that is common in the coming-of-age genre: Holden is deeply affected by the death of his younger brother Allie in The ...
... death of the younger self that Bone has undergone symbolically. This girl's death is part of the theme of infanticide that is common in the coming-of-age genre: Holden is deeply affected by the death of his younger brother Allie in The ...
Page 32
... death experience of the protagonist, and both are subsequently dedicated to providing accounts of coming of age that consist principally of tracing back through history to a specific originatory moment with which the characters must ...
... death experience of the protagonist, and both are subsequently dedicated to providing accounts of coming of age that consist principally of tracing back through history to a specific originatory moment with which the characters must ...
Page 38
... death: he wonders if his near-fatal accident occurred because 'he might have considered suicide' (14). For both Huck and Edgar the textual starting point is a symbolic death, at the hands of an uncaring father, from which they are ...
... death: he wonders if his near-fatal accident occurred because 'he might have considered suicide' (14). For both Huck and Edgar the textual starting point is a symbolic death, at the hands of an uncaring father, from which they are ...
Contents
1 | |
15 | |
Growing up in the Sixties | 46 |
Chapter 3 Citation and Resuscitation | 72 |
Life Sentences | 98 |
Chapter 5 Lexicon of Love | 130 |
6 Memoirs and Memorials | 154 |
Conclusion | 181 |
Bibliography | 183 |
Index | 189 |
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Common terms and phrases
adolescence adult aesthetic American argued attempt attention authority becomes begins believes Bone Bone’s called challenges chapter characterised characters child childhood circumstances closely coming of age coming-of-age contemporary critical crucial culture death defined depiction desire dramatises Edgar especially example experience expression father feel fiction final Fishboy further genre girls gives growing idea identity important innocence integral interest interpretation issue kind knowledge language linguistic Lisbon Lucille Lucille’s Maisie male means metafiction Mona Mona’s moral mother narrative narrator nature never novel origin parents particular partly past Phillip politics protagonist Prozac Nation Purple question reader reading recognise relationship respect response Ruth scene sense significant simply simultaneously social society speak specific story structure subjectivity suicide symbolic takes tell things understanding United voice women writing young