THE next in order of these "lays of many lands refers to a period far earlier in point of date, and has for its scene the banks of what our Teutonic friends are wont to call their "own imperial River!" The incidents which it records afford sufficient proof (and these are days of demonstration), that a propensity to flirtation is not confined to age or country, and that its consequences were not less disastrous to the mail-clad Ritter of the dark ages than to the silken courtier of the seventeenth century. The whole narrative bears about it the stamp of truth, and from the papers among which it was discovered I am inclined to think it must have been picked up by Sir Peregrine in the course of one of his valetudinary visits to "The German Spa." SIR RUPERT THE FEARLESS. A LEGEND OF GERMANY, IR RUPERT THE FEARLESS, a gallant young knight, Was equally ready to tipple or fight, Crack a crown, or a bottle, Cut sirloin, or throttle; In brief, or as Hume says, "to sum up the tottle," All his neighbours pronounced him a preux chevalier. Despite these perfections, corporeal and mental, He'd scarce sleep a wink in A night, but addict himself sadly to drinking, Is as naughty-to play, To Rouge et Noir, Hazard, Short Whist, Ecarté ; Till these, and a few less defensible fancies Brought the Knight to the end of his slender finances. When at length through his boozing, And tenants refusing Their rents, swearing "times were so bad they were losing," His steward said, "O, sir, It's some time ago, sir, Since aught through my hands reach'd the baker or grocer, And the tradesmen in general are grown great complainers.' Sir Rupert the brave thus address'd his retainers: Is out, with the Kürchwasser, Barsac, Moselle, And we 're fairly reduced to the pump and the well, presume to suggest, I We shall all find it best For each to shake hands with his friends ere he goes, Left sans money or wine, My best way is to throw myself into the Rhine, The Knight, having bow'd out his friends thus politely By the light of whose beam, He soon spied on the stream A dame, whose complexion was fair as new cream; Cover'd ankles and toes, In other respects she was scanty of clothes; For, so says tradition, both written and oral, Her one garment was loop'd up with bunches of coral. Full sweetly she sang to a sparkling guitar, And she smiled on the Knight, Soon found his astonishment merged in delight; But the stream by degrees Now rose up to her knees, Till at length it invaded her very chemise, While the heavenly strain, as the wave seem'd to swallow her, And slowly she sank, sounded fainter and hollower; -Jumping up in his boat And discarding his coat, "Here goes," cried Sir Rupert, "by jingo I 'll follow her! Then into the water he plunged with a souse That was heard quite distinctly by those in the house. Down, down, forty fathom and more from the brink, Sir Rupert the Fearless continues to sink, And, as downward he goes, Still the cold water flows Through his ears, and his eyes, and his mouth, and his nose, Some minutes elapsed since he enter'd the flood, But oh! what a sight Met the eyes of the Knight, When he stood in the depth of the stream bolt upright! Like the cave of Fingal, Rose above and about him ;-great fishes and small Their figures and forms to describe, language fails- You would ransack all Hungerford market in vain ; Would scarcely find buyers, Though hundreds of passengers doubtless would stop But little reck'd Rupert these queer-looking brutes, That crawled up his boots, For a sight, beyond any of which I've made mention, A huge crystal bath, which, with water far clearer Than George Robins' filters, or Thorpe's (which are dearer), Have ever distill'd, To the summit was fill'd, Lay stretch'd out before him,—and every nerve thrill'd Were diving and swimming, Till the vision a perfect quandary put him in They came floating about him like so many prawns. Sir Rupert, who (barring the few peccadilloes To feel rather queer, as a modest young man ; |